types of maladaptive gender role with schizophrenia conclude table of reactive literary forms of erotic romances
A table of literary forms for erotic romances was published here on September 20, 2016. The table starts with the simplest form of literature, and finishes with literary forms that arise from psychological transfer. Literature is the artistic pursuit of intelligent personalities. Therefore, the literary form with the greatest complexity is based on personality.
I discovered the last three forms of literature in my personal life. They arise from unique, complex, psychological attributes that coincide with three unusual types of schizophrenia. Individuality, sexuality, and personality coincide with no type, type B, and type A schizophrenia, respectively. The table from September 20, 2016, is updated to show the last additions.
Substandard intelligence, manic-depressive psychosis, and advanced schizophrenia are co-morbidities of maladaptive gender role with schizophrenia. Excessive masculinity, reversed gender, and criminalization are additional psychopathologies of the extremely serious brain disease. Symptomatologies of no type, type B, and type A schizophrenia include maladaptive conceptions of breasts, vaginas, and penises, respectively. Maladaptive gender role with schizophrenia is ultimately a complex, multi-dimensional, and genetic psychopathology. Additionally, it penultimately defines the worst cases of schizophrenia ever to exist.
Understood conflicts are cyberpunk themes that build themes, suspense, and imagery. They are psych and science fiction themes that complement natural conflicts. Emotions, unconscious experiences, and motives develop scenes and plots with aggressions and violence.
The Sex Love Friends series of erotic short stories by Jasmine Jennifer McAlpine was written with understood conflicts. The plots of the stories are understood cyberpunk themes. The series is anachronisms of American lesbianism, and precedes the Lesbian Cyberpunks series.
Below is a table of terms of literature and biological psychology that develop commercial fiction. The terms are features of understood conflicts, and develop understood cyberpunk themes automatically. They determine understood conflicts precisely and completely.
Fiction has matured for the twenty-first century. Trials and tribulations got lost to commercial fiction. Below is an outline of methods of commercial fiction. Independent book publishers and publishing houses are distinguished with genres, voice, and styles. Commercial fiction promises to drive the marketplace for fiction for decades.
Cyberpunk themes have scientific roots that came from the beginnings of the new literary tradition. A discussion of the origination of cyberpunk themes and the scientific roots is below. Descriptions of sources and applications are included.
Literary techniques are the foundation of contemporary literature. They create passive crises of unconscious experiences, and develop scenes with ultradian cycles. Stories develop from introspective desires, and mature from integrations of facts, motives, and goals.
Gender role organizes places, characters, and events, and neurological passages build on literary techniques. Plots develop from active crises of unconscious experiences. Glands and organs of unconscious experiences develop climaxes, and finish stories. Contemporary literature uses ultradian cycles to create symbols and generate contexture.
Sex characteristics are essential for introspective desires to develop into colorful descriptions and dialogs. Breast glands are essential for literary techniques to build into passive crises of unconscious experiences. Breast fat brings stories into active crises. Sex characteristics and breasts develop from estrogen. Gender role develops techniques, and stories. Individualities and personalities make contemporary literature.
Abstract commercial fiction is developed from behavioral homeostases. Originality, style, and voice develop from logical sequences of homeostases. Gender role distinguishes homeostases, and creates logic for sequences. Physiologies and fundamental psychologies develop homeostases into themes and plots. Authority and influence develop with themes and plots, and senses finish grammar and literary techniques.
Behavioral homeostases are psychotechnologies that create symbols, ontologies, scenes, moods, and perspectives. Psychotechnologies empower authors to express personal experiences and moralities. They are concrete methods that develop places, characters, and events. They invent plots, and develop climaxes.
Abstract fiction focuses on emotions and subjective thoughts and experiences. It develops into commercial fiction from studies of literary origins and deliberations of original intentions. Behavioral homeostases are sources of artistry and fame. They drive creativity into psychological structures, and personalities into finish.
Erotic romances are written from personal experiences. Cultures and social interactions are backgrounds for personal experiences, and develop erotic romances with innocence and emotional conflicts. Outlines for erotic romances are built from analyses of places, characters, and events. Innocence and emotional conflicts develop scenes, and plots.
A table of literary forms for erotic romances is below. It lists seventeen literary forms, and four behavioral dimensions. Literary forms are unique, and multi-dimensional. Motives, aggressions, emotional distresses, and psychopathologies contribute descriptions, explanations, and cross-references to literary forms. All of the possibilities that are presently recognized in the marketplace for fiction are included.
The table collects familiar terms from literary analyses of fiction, and organizes them into terms of literary forms. Psychological, psychiatric, and historical terms are collected with literary forms to define moods and themes of erotic romances. The table is a guide to understand and develop erotic romances. Literary forms are essential elements of fiction to write effective scenes and plots for erotic romances.
Erotic romances are cultural stories about relationships. They are stories about sexualities and loves. Initiatives create themes for erotic romances, and emotional appeals for attention and respect create plots. Erotic romances are expressions of compassion. They are commercial fiction.
Sexualities develop from symbols and perspectives, and loves develop from moods and ontologies. Shames and humiliations expose sexualities, and suspense and actions reveal loves. Fears make important themes. Developments of characters and sexual maturity build scenes.
Interactions develop characters, and circumstances develop themes. Humor and happiness build plots, and consequences build climaxes. Erotic romances develop affections, and inspirations. Sexual passions make voice from imagery.
Erotic romances come from contrasts that are made from sexualities and societies. Contrasts arise from individuals and relationships. They come from exposures of privacy and personal conflicts. Imagery and dialogs create sexual pleasures, and romantic adventures. Erotic romances develop contrasts, and dramatize human nature.
Erotic romances originate from time and geography. They communicate unique fantasies, and special adorations. Introspections and poetry portray sexy and romantic characters. Typical circumstances develop details, and idiosyncrasies. They expose hidden meanings, and develop into culture events.
Erotic romances are tales about subconscious desires. Characters explore themselves, and their communities. Certainty and finality make plots unfold into sexual love. Climaxes deliver deductions, and revelations. Satisfactions and sentiments are described that distinguish innocent dreams and clever secrets.
Psych and science fiction are adaptive genres. Standard genres develop primitive emotions, and adaptive genres develop psychologies. Adaptive genres are temporary escapes that are driven by behavior modification. They describe tensions, circumstances, and conflicts that impact societies, and portray the influence of protagonists on the future.
Psych fiction uses intuitions to develop past experiences and knowledge. Protagonists are portrayed by their circumstances, and forced to change their personalities by psychological stresses. Past experiences and knowledge are foundational to changes in personalities, and combine with personal difficulties from circumstances to create natural conflicts.
Protagonists in psych fiction use natural conflicts to adapt to their circumstances. Psychological stresses force protagonists to reconstruct their perceptions and perspectives of social situations. Sexual crises drive protagonists to change their social situations, and increase their moral authority. Natural conflicts cause sexual crises, and protagonists cause others to see their guilt.
Science fiction uses anxieties to develop future experiences and knowledge. Protagonists in science fiction are portrayed by their emotionalities, and forced to change their social situations by aggressions and violence. Future experiences and knowledge are foundational to changes in social situations, and combine with personal difficulties from emotionalities to create natural conflicts.
Protagonists in science fiction use natural conflicts to adapt to their emotionalities. Aggressions and violence force protagonists to construct perceptions and perspectives of their personalities. Social crises drive protagonists to change their personalities, and increase their moral authority. Natural conflicts cause social crises, and protagonists cause others to see their shame.
Adaptive genres focus personalities and social situations into temporary escapes. They develop psychologies that force sexual and social crises. They drive reason and intelligence, and increase moral authority for protagonists. Self-preservation and sexual pleasure develop through resolution of natural conflicts, and reveal overwhelming cultural conflicts and underlying moral problems.
Adaptive genres enable stories to reveal and portray unusual features of societies. They develop perceptions and perspectives that reach beyond primitive emotions of standard genres. Deep and controversial features of societies are confronted, and guilt and shame that has been hidden and protected is reconciled.
Abstract romances are positive emotional experiences. They describe circumstances that are related to psychoanalytic psychology. They are developmental narratives, and philosophical explanations of social environments. They are plots of endogenous experiences, and climaxes of integration.
Abstract romances are aggressive narratives. They are stories about hormonal conditioning, and feminization. Gender is quintessential to aggressive plots, and fundamental to feminine climaxes. Aggression in romances creates subjective emotions, and feminization in romances creates temporal awareness.
Self-love is essential to abstract romances. Compassion and affection are central elements. Intimacy and emotionality create voice, and finish. Emotional independence and sexuality develop memories, characters, and plots.
Abstract romances are stories about personal situations and personal reactions to unusual events. Objective perspectives that developed consciously are expressed, and subjective perspectives that developed unconsciously are hidden from sensory awareness. Romantic interactions accumulate into concrete events, and abstract impressions of concrete events slowly develop into love.
Intelligence thrillers are made from different genres. Intelligence is a type of thriller, and makes narratives that develop comprehension, depth, and climaxes. Different genres develop intelligence for thrillers differently. Intelligence thrillers describe places, characters, and events with details, emotions, and intuitions.
Societies make the best opportunities for intelligence thrillers. Societies hold many mysteries and fascinating perspectives. Points of view in intelligence thrillers develop from politics to show places, characters, and events in ways that cannot be developed from scenes and plots alone. Intelligence thriller can be written from organizations of homes and corporations, too.
Intelligence thrillers separate facts, and fictions. Facts are described realistically and circumstantially. Fictions are perceptions that are made from sensory experiences. They are told and reconstructed subliminally. Facts illuminate realities, and fictions create surrealistic representations. Combinations of facts and fictions drive escape, and create illusions of reality.
Short fiction has a curious, dynamic culture that is rooted in the fundamentals of language. Stories and plots that are smaller than typical themes of novels are easy to create, and have great intimacy. Electronic readers contribute to the culture of short fiction. They collect ebooks that were distributed on the internet, and sort them for easy use. They provide aesthetics for reading.
Creativity drives writers to publish valuable stories. It compels talented individuals to compose original narratives, and seeks audiences that desire genuine styles. Short fiction is built by creativity, and gains lasting value from writers who use creativity wisely.
Short fiction is intimate. Shopping for short fiction, reading it, and remembering its adventures are privately meaningful experiences. Intimacy is quintessential to moods and comprehension. Audiences of short fiction demand intimate narratives, and intimate plots.
Electronic readers are cultural tools. They are personal, artistic, and functional devices. They are publishing platforms for audiences to discover societies, friends, and themselves. Short fiction uses electronic readers to expose unique insights and intellectual inventions of dedicated writers.
The culture of short fiction has developed dramatically because electronic readers were invented. It has developed character from new writers working for new audiences. Short fiction promises to develop American culture for many years. It has power to captivate and enlighten individuals with simplicity and plots.