The psychology of sexual entertainment is focus on the executive functions of the central nervous system that leads to sexual, adaptive, and social behaviors. Executive functions develop phylogenic habits that become behavioral homeostases, and enable behavioral homeostases to develop into phenotypes. Gender identity, endogenous experiences, and gender role are psychological behaviors that employ phylogenic habits, behavioral homeostases, and phenotypes. They are the foundation of the psychology of sexual entertainment.
Morphogenesis, feminization, and metamorphosis are the executive functions of the central nervous system. They are adaptive behaviors that develop psychological stresses into morphological changes of the body and ultimately lead to progressive evolution. They create the psychology of sexual entertainment from psychological stresses and progressive evolution of sexual experiences. Gender identity, endogenous experiences, and gender role develop morphological changes of the body and results of progressive evolution into new emotions, egos, and intelligence.
Concepts of behaviorism and psychologies of feminism and mathematics are the final features of the psychology of sexual entertainment. Nudism, eroticism, and lesbianism are concepts of behaviorism that ultimately identify powerful features of sexuality that create foundations for entertainment. Femininity, willpower, and estrogenergics are psychological stages of feminism that develop physical and psychological strengths. They create moods and perspectives that develop sexuality. Numeracy and mathematical education define scientific and analytical aspects of sexuality, and complete the definition of the psychology of sexual entertainment.
Below is a table of terms that summarizes the psychology of sexual entertainment. The table shows the relationship between executive functions of the central nervous system and gender. Notice the natural progression of development from morphogenesis and nudism at the beginning of the table to metamorphosis and complete numeracy at the end. Childhood and virginity are at the beginning, and adulthood and sexual reproduction are at the end. The psychology of sexual entertainment is primal, and dynamic. It is unconscious, and aggressive. It builds popular themes and plots with egos, personality, and intelligence.
New York publishing traditions have existed for decades. They have made many genres and styles for America. However, cultural and technological developments have caused the breaking point of New York publishing traditions to become prominent and advisable. Below is an article that describes the economic predicament of publishers in New York City.
Knowledge and intuitions are psychological behaviors that create abstract fiction with imagination, intimacy, and originality. They plan outlines, develop descriptions, and complete plots. Knowledge makes realism, and intuitions make voice.
Foundations for artistry are built from historically successful art and technical innovations. They develop insights and inventions that create captivating art. Knowledge and intuitions are foundations for artistry. They create captivating art with subconscious experiences and personalities.
Foundations for artistry create abstract fiction, illustrations, and comics. They create popular music, movies, and computer games. Knowledge and intuitions are essential psychological behaviors for literary techniques, and essential foundations for genres.
Remarkable Adventures are made from ambitions, plans, and acquaintances. They bring curiosities, happiness, and maturity to productive lives. Knowledge and intuitions make Remarkable Adventures that bring unusual places, characters, and events to audiences with suspense and excitement.
The twenty-first century brought a revolution to publishing and distributing books. The revolution came from new skills and determination of authors, new technologies to print books, and utilization of the internet to sell books in print and electronically. Publishing books got revolutionized by new business models and management techniques that serve publishers and authors with simplicity and efficiency. Book distribution got revolutionized by titles that are sold directly and individually.
Better psychology and higher education empowered authors to discover the marketplace for fiction and the rewards of successes in the entertainment sector of the economy. Desktop publishing and print-on-demand empowered publishers to rediscover demand for books and rewards for entrepreneurship. Internet stores and electronic books empowered shoppers to find and own the books that meant the most to them.
Publishing houses should be corporations with low overhead and fluid pools of talent. Independent book publishers should be corporations with entrepreneurs who have special education in psychology, marketing, and economics. Book distribution is internet stores with print and electronic books, and small book stores with unique selections. Publishing houses and independent book publishers choose how to distribute their books, and the model of distribution includes management of costs. Goods are finished by publishers, and sales prices are indexed to costs and royalties.
Books are unique to genres, and memorable from personalizations. Short books are the backbone for a dynamic marketplace. Novels and non-fiction narratives are staples of cultures in the marketplace. America's books in the twenty-first century are meaningful relationships and rich experiences.
Books are Remarkable Adventures. They are stories from observations of cultures that return to cultures to become observations. Remarkable Adventures take individuals away from personal responsibilities, and put them onto paths of curiosity, enlightenment, and instruction. New realities to publish and distribute books bring more Remarkable Adventures to the marketplace.